Showing posts with label Fela. Show all posts
Showing posts with label Fela. Show all posts

Wednesday, 2 August 2017

Remembering Fela (1938 - 1997) through our shared history of AIDS


Remembering Fela
When I heard that Fela Anikulapo Kuti had died on the 2nd of August 1997, 20 years ago, I was very sad and I mourned him. He was the outlier, labelled the outcast who outed the potentates and powerful in their abuse of power and privilege.
His shrine was hardly a mile from Yaba College of Technology where I was a student from 1982 to 1985. There was an elite fraternity that invited him to perform on the grounds of the school and we the poor students had to find sneaky ways to view his performance from outside the barricades.
I suppose others will write about Fela’s life, his politics, his beliefs and ideology along with his activism, I would write here about a shared affliction.
Lesions and pain
On the day after Fela died, his brother, Professor Olikoye Ransome-Kuti announced that he had died from complications due to AIDS, further commentary suggests he had Kaposi's Sarcoma which is a form of cancer and the other parts of that commentary that indicated how he suffered might well prove that is what killed him.
On the 22nd of September 2009, a little over 12 years later, I was admitted to hospital after a desperate visit to my doctor a few days before, when she saw the lesions on the soles of my feet and decided they looked serious, very serious indeed that she had to refer me twice.
What became lesions, started some months earlier as common Athlete’s foot until my self-medication attempts did not see it off before it began to seep pus and then became unbearably painful. Much as I was already aware that I was HIV positive, I was not on medication and to everyone around me but myself, my health was deteriorating and failing without me paying much heed.
Full-blown AIDS
When I did make it to hospital, and the first checks indicated the lesions were not related to diabetes, I was put on strong antibiotics which from my research suggested they were to attack fungating tumours, that was the first confirmation that I had fearfully thought was the case some weeks before, I had a cancer, but I did not know its name.
I will not be surprised if Fela also found himself in the same situation, in excruciating pain, the tell-tale lesions hidden from view, for usually, Kaposi’s Sarcoma can show on the face, in the mouth, or anywhere on the body, mine was on the soles of my feet, and so, it only made them quite painful to walk on.
After a few days, the antibiotics failed, I was running a temperature and some deep biopsies were ordered, 9 injections of lidocaine after, the pain was just as demanding of attention and reaction, I folded a piece of tissue paper into a thick mouth guard and bit on it as the doctor poked into the heart of the lesions.
The results came back a week later, I had Kaposi’s Sarcoma as a result of having succumbed to full-blown AIDS, I was dying.
Endure or die
My consultant came to chat to me and said, “We can treat this, it depends on how your body takes the treatment, if it takes, you’ll be fine, else you probably have five weeks to live.”
In a strange land, amongst people of a different tongue apart from friends and neighbours who became my support network, I had no closer relation to turn to as the gravity of my situation sank in. I was by then on antiretrovirals (ARVs) for almost a week when 5 days later I was put on a regimen of cytotoxic chemotherapy.
I was on chemotherapy for 5 months every three weeks, though, by December, all the lesions had gone, my HIV viral load was down to undetectable but the pain of cancer lingered for another two months after that.
Healthcare options and choices
I sometimes wonder if Fela ever had access to anything like the care I had, though a late diagnosis presenting AIDS, there was a lot that could be done for me once they determined what the cause was, what the lesions were and what treatment was effective against it. The cost of my treatment was also borne by insurance for there was no way I would have been able to afford the cost.
If I transposed this situation to the UK, my feeling is my doctor would have seen the lesions and adopted a wait and see attitude rather than act with urgency. I am not sure of what the options would have been in Nigeria.
Making known to the public that Fela had AIDS before he died might have sown panic in the populace apart from the stigma that comes with being HIV positive that still exists today.
Get checked, get treated
The antiretrovirals of 1997 might not have given much respite to Fela as he succumbed to AIDS, however, if anything can be learnt from Fela’s and my situation, it is the need for regular check-ups and on diagnosis, prompt intervention for treatment before things go seriously downhill from there.
Now, antiretrovirals are quite effective and are mostly free, they give people with HIV life expectancies similar to the uninfected, the advent of Pre-Exposure Prophylaxis PrEP now reduces to a minimum the transmission of HIV for those without the virus, and studies now indicate that if your viral load is undetectable then the virus is un-transmissible. [Undetectable = Untransmittable]
In conclusion, as I remember Fela today from the perspective of our shared history, I ask that you get regular check-ups, get informed, get treatment and get on with your life. I got a second chance and I am here to share my story 8 years after AIDS and cancer.
Explainer between HIV and AIDS
AIDS is caused by HIV and it is a catch-all term for opportunistic infections that take hold when the immune system is completely compromised. A regime of antiretrovirals would give the body a fighting chance because HIV gets suppressed, the viral load goes down, the cells that can fight infection and disease gain ascendancy along with the drugs administered and you go from having full-blown AIDS to having HIV with an undetectable viral load and a chance to live again.

Saturday, 25 June 2011

Fela! In Amsterdam

Fela! In Amsterdam
Just over four months ago, we had a taster, maybe a preview in Amsterdam; Fela! National Theatre Live was shown at a cinema in the South-East of Amsterdam and in my review of that showing [1] I had thought I would have to visit London to watch the musical live at Sadlers Wells in July.
Then a few months ago as I rode home on my bicycle I caught the glimpse of the poster indicating Fela! [2] The much acclaimed Broadway hit and blockbuster was coming to Amsterdam during the Holland Festival season.
It was at the back of my mind and it came to the fore when I visited friends of mine and we thought we might consider attending a weekend matinee but that fell through.
Opportunity seized
With the last day of the show dawning, I decided there was opportunity and providence to watch this amazing extravaganza that had been brought to my doorstep and so I logged on the Theatre CarrĂ© website and found a lone seat in what looked like a sold-out show – it was booked.
I arrived in time at the theatre and picked up my ticket, there was an introduction in Dutch to the show which took place in the foyer 45 minutes to the curtain but I did not think I needed to told about Fela Anikulapo Kuti [3] and I had done some research about the show itself, long before.
The set
Taking my seat, the set had all the colour of West African splendour, alive, lively and anticipatory of excitement, it was supposed to be a replica of the Shrine which was the name and location of Fela’s performing venue in Lagos.
Newspaper cuttings of contemporaneous events in the late 1970s were on the sideboards, in fact, those events crept well into the early 1980s considering the setting was supposed to be the summer of 1978, just six months after Funmilayo Ransome-Kuti, Fela’s mother died.
The cuttings included news of the President earning NGN 70,000 in 1979, that was a lot of money then with the Nigerian Naira slightly short of parity with the British Pound Sterling, though what our politicians earn today puts that in the shade; the expulsion of BP with the nationalisation of a whole swathe of international firms during Obasanjo’s tenure as the military head of State with his programmes for self-reliance, stability and the rampant looting of the Nigerian treasury as their tenure came to a close.
Reminiscing Fela
Long before the curtain, the horns of Fela’s kind of music were beginning to mesmerise almost to the point of delirium. The show was supposed to start at 8:00 PM prompt but we seemed to gain an African time component, many seats were not yet taken.
Dancers danced in the aisles, African dance is amazingly dexterous; waving arms, pounding feet, rocking hips – all movements in fluidity no other race on the globe can rival.
It was choreographed by Bill T. Jones and there were signs of classical and contemporary dance but nothing moved us as much as the raw African expression that continually drew raucous applause as the show began at 8:20 PM.
The back screen had subtitles to most of the songs that were in English and Pidgin English, none of the Yoruba songs or Arabic recitations were subtitled though there was one song “Water No Get Enemy” where the Yoruba was interpreted in song to English.
A busy plot
We were continually engaged in the show that was interactive and participatory first with the calling back and then the clock dance that would have loosened a good few hips in gyrations that interesting as they were bordering on adult obscene.
The plot took us through Fela’s childhood, his appreciation of our indigenous culture, his sojourn in England and America, his discovery of black consciousness and the development of his brand of music; Afrobeat [4] - it was like the making of Fela before he began to get recognition in Nigeria.
It would not have been unfamiliar to see a huge joint lit in Amsterdam but the conversation that ensued with the audience was funny when someone asked that he pass the joint with the magic phrase of Puff, Puff, Pass – the humour of the script carried well and the audience was never lost as to when to laugh or when to clap.
Fela, the life
Sometimes, it is easy to forget that Fela was seriously persecuted in Nigeria for his activism part of which was the defenestration of his mother from a second floor window resulting in her untimely death.
The last performance in the show was “Coffin for Head of State” in which his mother’s coffin and another 30 or so smaller coffins were erected in a pile each with some interesting social point of focus and for the Netherlands it was Zwarte Piet [5] depicting Racism, one had Fukushima; a reference to the nuclear disaster in Japan, Stephen Lawrence [6]; a teenage victim of race-hate murder in London, Ai WeiWei; the Chinese dissident along with the usual names like Malcolm X, Martin Luther King and issues like censorship.
As the cast bowed out, Femi Kuti [7] was invited on stage where he showed deep appreciation of the whole cast and regaled us with some dancing; I wondered how you could encore a show like this.
The music never really stopped as the cast invited the audience on stage and the lead sang, then he offered us more that Femi Kuti took the microphone and sang too, basically, this went on for about 20 minutes – suffice it to say, I have never been to a musical that was as engaging as this, it is one show that given the opportunity you must never ever miss.
Sources

Friday, 11 February 2011

Fela! National Theatre Live in Amsterdam

Fela! National Theatre Live

It has been so easy to forget who Fela Anikulapo Kuti [1] was as he is now celebrated in the West as that visionary revolutionary and musical genius.

The much acclaimed Fela! [2] That wowed Broadway [3] and is playing to great reviews in the West End in London did not come to Amsterdam as a live show but a hurriedly arranged screening at a cinema in the South-East as part of a National Theatre [4] Live broadcast which was an encore of the transmission that first went out on the 13th of January 2011.

The lack of a live performance allowing for feedback and response did not take away from the spectacle of the show.

Beats and dance

Many themes were relayed to me as I sipped my Coca-Cola and munched on my sweet popcorn, the wonder of African percussion, the sound of the Afrobeat drums and the way the performers responded to the beats.

The choreography was energetic combining African and contemporary dance, the heads, the arms, the body, the hips, the legs in violent synchronism that made you rock in your seat.

The sense of rhythm and movement, the explosion of colour on stage and variety of dance that could not be qualified with steps or the collage would be denied just praise.

Culture and identity

Fela’s story was compelling covering the discovery of his kind of music to the troubles he suffered in Nigeria which were causative of his mother’s death, his rise as a voice of conscience, a revolutionary and activist.

He renewed African consciousness without being militant, the compelling message being return to your roots, the identity that is part of your culture especially that of names and the need to respect our animist traditions and gods that contribute to enjoying the fullness of African life.

This resonated with me because my given name which came from my Muslim grandfather to his Christian grandson was not defined by religion but by situation and that also became my Christian and baptism name.

The story and the message

The sad narrative is that his mother fought off abuses of colonialism in emancipating the women but freedom did not arrive we found our own people robbing us blind as potentates with untrammelled powers to curtail our liberties, Africans left no better after all.

There were many references to his mother and she featured strongly through the performance, it was like Fela was in a constant grief for losing her.

The music was very familiar but not exactly the same, lyrics were modified in places and melody adapted more to a story-telling with a musical feel.

Being a Yoruba man, there were songs that were far from accent-perfect, the lead playing Fela was from Sierra Leone; he did well enough but for a native Yoruba speaker, it could be a bit jarring to the ear.

Fela in life

I first saw Fela perform in 1983 in Lagos at Yaba College of Technology, we were gate-crashers who found a vantage point to view him, there was always a feeling of ambiguity about him in Nigeria – his message was loud and clear but his lifestyle was shunned as decadent and unworthy of any of the youth that aspired to any success.

Yet today, any of his material played back to our hearing is like he transcends the times, the words fetch true today as they did then; the proverbial prophet without honour in his own land.

Sadly, we lost Fela in 1997 to AIDS presented opportunistically by Karposi’s Sarcoma a type of skin cancer that 12 years on medicine did contain, curtail and treat; the scars of which decorate my soles.

I would love to see the live show in London, it moves to Sadler’s Wells from the 20th of July 2011 to the 28th of August 2011, this is a show [4] that you must see.

Sources

[1] Fela Kuti - Wikipedia, the free encyclopedia

[2] Fela! - Wikipedia, the free encyclopedia

[3] FELA! The Most Original New Musical On Broadway

[4] FELA! London - FELA! at the National Theatre

Monday, 25 December 2006

The passing of soul

His soul has departed

Sadly, news reaches us that James Brown has died at 73. His repertoire of music, songs and lyrics would serve as a catalogue of influence and inspiration he gave to entertainment from which he first earned the accolade of Father of Soul and the Grandfather of Soul.

If anything, his music became part of the movement to help black people see that they do not have to change who they are, especially pertaining to their racial identity, to be people who can significantly change their circumstances and society at large.

Black and proud

When he sang, I am black and proud, it was an anthem of an era, around the time of societal ructions in America as blacks were trying to gain equal citizenship and opportunities to the American dream.

Many would say, "I am black" would suffice and there is no need to say it loud, we have always had our blackness as part of our being, if we cannot live with who were are, then we have been overcome with a poverty of spirit.

Still fighting the old fight

Unfortunately, there are still many who are caught in the yoke of the pre-civil rights days, who still view their race at a disadvantage, who cannot mouth the words of that emancipation for the fear of selling-out of a life steeped in the hatred of all other races and a deeper hatred of those of their race who have just decided to make the best of life without the baggage of the politics of race deprivation.

The passing of James Brown indeed marks the passing of an era, one of the many musicians who whilst entertaining sent a message to their people to stand up like men and women who have rights, can exercise privileges and succeed exceedingly well.

Being black and being successful

In the same vein, one remembers Fela Anikulapo Kuti who in his Open & Close album exhorted us to "Shake your yansh (back-side) like a black man. Basically, the message is, no matter your colour, it should not be an impediment to being whatever you have dreamt you have ever wanted to be, except when you decide to change your colour.

Adieu! James Brown - The Apostle and Grandfather of Soul.