The Art of Making Up
One's Mind
I cannot recall
where, but I read a quote that gave me a wry smile, probably decades ago, which
said, “I put lipstick on my forehead to make up my mind.”
Make-up as applied by
people could be to accentuate the positive, conceal the unseemly, or exaggerate
the bizarre. I wouldn't know, as I use neither lipstick nor blusher, but I have
my mind made up about a few things.
A Modern Avon Lady
After paying for
groceries this evening at Aldi, I walked past a cashier at one of the checkouts
and my eyes were drawn to hers, as they were marked out with dark eyeliner; you
could not miss them. I thought she might be a quintessential Aldi lady, in profession
and looks, borrowing the idea of Avon ladies from a
time before.
Canal Street’s
Spectacle
Then on Canal Street
in Manchester, the centre of the Gay Village, there are lots of female
impersonators or drag queens in desperately outlandish make-up, and the less
said of their apparel and high-heeled footwear that would commit the sensible
to the emergency room of an orthopaedic hospital, the better. They regale us
with offers of cheap drinks to patronise the clubs they represent.
I am left wondering
whether this is for them a profession they get paid for or just a hobby. I had
a fascination for that subculture and their performances in the early 1990s,
but I am much less enamoured by the spectacle today.
From Subculture to
Mainstream
Yet, this genre has
gained global reality television popularity in the drag race competitions
started by RuPaul. One such drag queen from Manchester was a runner-up in the
inaugural UK series.
In my view, no
self-respecting woman would go to the extent of a drag queen, except perhaps
ladies of a certain persuasion of questionable repute. Yet, in the case of the
drag queen I saw on my way home, there was both eyeliner and eyeshadow that
would make Nefertiti
blush.
The Fine Line Between
Art and Excess
The use of make-up
can be abused, and it does get abused to garish and grotesque levels. Some end
up quite ghoulish, enough to put you to great fright if observed in dim light.
However, all we can do is be entertained from a distance. We wouldn’t want to
be represented by them so closely that the association becomes difficult and
inconvenient.
On Spectacle and
Proximity
There's something
revealing about our relationship with spectacle. We’re drawn to what's unusual,
extreme, even outrageous, yet we instinctively maintain a boundary between
observation and involvement. A rather blunt Yoruba saying captures this
tension: “A mad man is a sight to watch in the marketplace, but not a joy to
have as a relation.”
The proverb isn’t
really about madness; it's about how we engage with what lies outside our
norms. We watch, we’re entertained, perhaps even fascinated, but we preserve
distance. It’s an honest, if uncomfortable, acknowledgement of how most of us
actually behave towards those we find bewildering or excessive.
Yet this instinct
towards separation deserves examination. We may counter it with the humbling
reflection of John Bradford: “There but for the grace of God go I.” We
are no better than the other but for grace, mercy, and fortune. What separates
the observer from the observed may be nothing more than circumstance,
upbringing, or mere chance.
This is not a
critique or a celebration, just a neutral observation inviting conversation and
opinion.
Blog - I wear lipstick (November 2005)